The lion growls...
Actually I liked it, the sound was particularly good, something not that easy with a moving acoustic guitar. The monochrome blue effect fitted quite well (for me blue normally screams "Jazz" or "blues" but it worked in this case) although, as komatoast says, the contrast was a bit flat.
What's obvious is that the two cameramen are of different standards. At the risk of upsetting you (not knowing which camera you were on), the camera slightly to side of the stage was good, nice framing and smooth movements. The camera in the middle wasn't quite up to the job. Focus was lost a few times, the framing sometimes a bit shakey and the horizon tilted alarmingly on occasions.
Editing was probably very difficult because it seems that both cameras often had the same composition. In future it's worth giving each camera an area to play with. Usually, for a soloist, the frontal camera does the range from ultra close up ( just the face) to mid close up (head and shoulders) whilst the 3/4 camera does the mid & long shots and ultra close ups on the instruments (if possible). If there's some way of communication between the cameras then this system isn't needed but, to avoid identical shots, it's worth doing this in future projects.
There.. that didn't hurt much did it?
