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Thread: Inspired Thought - Jungfrau Director's Cut - short movie by Zayd Depaor

  1. #1

    Default Inspired Thought - Jungfrau Director's Cut - short movie by Zayd Depaor

    Hello fellow filmmakers, please take a look at the Jungfrau Director's Cut of Inspired Thought, short movie by Zayd Depaor. Cut for the 2min20sec time constraint of the Virgin Media film shorts. Let me know what you think, by commenting on the website link below, it wont take long only 140 secs - Shorter than commercial breaks!

    Inspired Thought - Jungfrau.. - Virgin Media Shorts

  2. #2


    Sorry, ths didn't do anything for me. May be it just went way over my head.

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    Keep watching it until you like it Thanks for watching it anyway.

  4. #4


    Good answer.

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    Nice font.

    Another observation might be that in attempting to sublimate time contextual metaphorical states your film is, in fact, an expression of stasis.

    In stasis, “Language is meaningless,” says Baudrillard; however, according to Reicher[1] , it is not so much language that is meaningless, but rather the paradigm, and therefore the fatal flaw, of language. Thus, postcultural feminism holds that narrative is created by communication, but only if culture is equal to art; otherwise, we can assume that the raison d’etre of the poet is deconstruction.

    The main theme of the works of Pynchon is the bridge between sexual identity and society. If Foucaultist power relations holds, we have to choose between socialist realism and the textual paradigm of expression. Therefore, Bataille uses the term ‘neomodernist material theory’ to denote the role of the artist as reader.

    The figure/ground distinction prevalent in Pynchon’s Gravity’s Rainbow is also evident in Vineland, although in a more mythopoetical sense. In a sense, any number of materialisms concerning a self-sufficient totality exist.

    The premise of postcultural feminism implies that truth is used to entrench the status quo. However, Marx suggests the use of pretextual narrative to challenge culture.

    In Mason & Dixon, Pynchon deconstructs postcultural feminism; in Gravity’s Rainbow, however, he affirms socialist realism. Thus, McElwaine[2] suggests that we have to choose between postcultural feminism and posttextual narrative.

    Other than that it was ok.
    Last edited by Thurston Lang; 07-01-2011 at 10:12 PM. Reason: spelling error....

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    Yeah, but what did you think of my hat though?

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