We're working on a one hour doco. We have over 18 hours of HDV footage. Now the client has been working as a TV producer for decades but he has no clue about technical stuff - like the resolution difference between DV and HDV. So when he delivers another 6 one-hour tapes he thinks it's fine that they've been shot in 16:9 PAL rather than 1080i. Now we have to 'make do' with the roving C-camera footage of the crucial climaxing event because the A and B camera footage is unusable. You've gotta laugh.