You'd be lucky!
I can think of potentially 4 ways that this could be done. The "3rd option" is the least attractive and messy - but I'll throw it in and YOU can judge. In any event, how's your budget for this anyway?
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1 - THE Way! Chroma-keying you riding in a well lit studio against a Green or Blue background
#2 - The "Difference" Procedure. - And I really ain't certain this would work well on a pan anyway.
#3 - Masking - ugh . .. this WILL be messy. BUT. If you have a fair, few instances of you with "single" mono tone BGs then it could look attractive - ish?
#4 - Straight Simple Reshoot Getting back to Chroma keying. AND this WOULD work, but if you ain't got the footage then you will need to re-shoot - could be fun, if you were local to me I'd have a go. Get somebody to shoot you with BRIGHT blue skies behind you. You could EVEN attempt to do this on a claggy overcast day, as long as you had a fairly good illumin on your bike and you. I have done quite successful CK-ing out of blue skies and set different backgrounds to the original footage.
Well, these "4" options would assist to a greater or lesser degree in removing OR not-putting-it-there-in-the-first-place pre-planning result. You would then need to do the fun part of sequencing and the relative positioning of the helo and you.
Anybody got any other ideas? I'm all ears . .
Grazie