Hi!
I do this all the time. Shooting either on Digi Beta 16x9 or on a Hi-Def F900 and quite often the Director will bring along a Z1 for cutaways and shoot that on 16x9 also.. You are absolutely right to presume that " i thought by just editing in a pal widescreen project and rendering in a widescreen project i would achieve this". I've seen my transmitted footage in pubs, clubs,friends houses and my own domestic TV. I was in a Dixons showroom a few years ago and some of my own footage came up on 20 different TV screens and the displays were all different!. If you've agreed with your commissioning editor that this was the format that you were going to shoot on, then deliver your product to the broadcaster in this format and all will be fine. I'm not sure how you came to the conclusion that.... "HOWEVER the footage is displayed in full screen on both 4:3 and 16:9 tv's" ...given that it hasn't been transmitted yet. I'm also not sure why you would like to have it letterboxed in 16x9. Let the viewers worry about how they view their programmes on TV. Come back if this doesn't help. |