Thanks for this.
I have a DVD version of the productions in question for general viewing and would use that as a master to produce other copies on DVD or VHS. The purpose of the DVD archive is to avoid the need to capture from tape if and when I want some or all of the footage to edit and use in a new production.
Presumably the losses would result from the re-encoding to AVI from MPEG which would happen if I pull some clips off the archive to use in a new production but presumably only if I render the clips to AVI rather than MPEG? That production would eventually find its way onto DVD, i.e. MPEG with a bit rate of about 8000 if you use Studio 8.
I appreciate that if one continually encodes and decodes then it would be like continually copying an analogue tape but what would be the visual impact of taking a clip from a 10000 bit rate archive, remastering to AVI (possibly) before converting to MPEG for a DVD run (in studio

? I doubt that I would intentionally re-encode more than once with any particular clip as I could always revert to the archive version in that event.
Are we talking real quality degreadtion that would be visible on the DVD produced at the end of the process or is it in reality an academic discussion?