To ad to what Tim says, I think 24p is the least important factor - I think 24p looks rubbish, jerky pans and movement. The future in the cinema is 50p - 24p was never chosen as 'the best' just what was achievable and affordable.
Far more important is a good script / story / acting / make up/ locations / acting / lighting / costume / lighting / sound / camera movement / clourisation / editing / music / sfx / and onand on...
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I have one prejudice - I am anti HDV for consumer camcorders. www.zaskarfilms.com You tube channel 'zaskarfilms'
JVC DV5001e (big cam), Sony PC6E (tiny cam), Vinten pro5, PAG light, SM58, Sony ECM50, Sony C-76, 0.5x convertors for sony, Rode video mic, Vegas 7.
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