To ad to what Tim says, I think 24p is the least important factor - I think 24p looks rubbish, jerky pans and movement. The future in the cinema is 50p - 24p was never chosen as 'the best' just what was achievable and affordable.
Far more important is a good script / story / acting / make up/ locations / acting / lighting / costume / lighting / sound / camera movement / clourisation / editing / music / sfx / and onand on...
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I have two prejudices - I am anti HDV for consumer camcorders, and I eat mooks who claim to be pro wedding vidders and ask dumb questions. www.zaskarfilms.com You tube channel 'zaskarfilms'
JVC DV5001e (big cam), Sony PC6E (tiny cam), Vinten pro5, PAG light, SM58, Sony ECM50, Sony C-76, 0.5x convertors for sony, Rode video mic, Vegas 7.
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