Interesting.
Funny thing is all the documentarians are trying to keep thier camera as still as poss in difficult circumstances whilst the precious drama types are sat in a studio surrounded by equipment and people and they wobble the camera on purpose - funny that.
Ditto the 'tripod wobble' - I bet operators are also asked to do 'stedi-cam wobble' - hoho
Personally I am more gripped by the still camera for many if not most shots where you can choose to be still - imho without very careful consideration still rules.
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